![]() ![]() Switch off the toggle to turn it from “ Enabled on this site” to “ Disabled on this site”.Click the AdBlocker Ultimate icon in the browser extension area in the upper right-hand corner.“ Block ads on – This website” switch off the toggle to turn it from blue to gray.Click the AdBlock Plus icon in the browser extension area in the upper right-hand corner.Refresh the page or click the button below to continue.Under “ Pause on this site” click “ Always”.Click the AdBlock icon in the browser extension area in the upper right-hand corner.Interested in more entertainment news? Kirsten Dunst says she would like to return to the Spider-Man universe.Īdblock Adblock Plus Adblocker Ultimate Ghostery uBlock Origin Others But ‘Big Short,’ still, even though there’s drama in it – I would say is a tad more of a comedy than ‘The Big Short’…I don’t know if the Ferrell movies, because they’re so uniquely Will Ferrell – but somewhere in between ‘The Other Guys’ and ‘The Big Short,’ I’d say, is where this one lives.”ĭon’t Look Up is slated to premiere in select theaters on December 10 and will become available to stream on Netflix on Christmas Eve. “It’s definitely not as dark as ‘Vice,’” McKay said of the film during an episode of Josh Horowitz’s Happy Sad Confused podcast earlier this year. “‘Vice,’ I’d say, really probably ended up being a drama with some comedy. Meanwhile, Streep, who plays the President of the United States, and Hill, who assumes the role of her Chief of Staff, are reluctant to believe the outlandish news. But with great power, well, you know.In the film, DiCaprio and Lawrence play astronomers who must leak information about a destructive, giant comet heading towards Earth that is capable of destroying the entire planet. Their power exists in a subscriber base so large that massive amounts of viewers will watch whatever the new show or movie happens to be, even if it’s the very thing (or especially if it’s the very thing) that once represented Hollywood’s bread-and-butter of star-driven, high-concept studio programmers. With that track record, Netflix does not have to try to turn cult franchises ( Cowboy Bebop), Tik Tok stars ( He’s All That) or were-never-huge horror franchises ( Texas Chainsaw Massacre) into Netflix sensations. They can turn original or new-to-you shows like Squid Game, Bridgerton, Stranger Things and movies like Extraction, The Kissing Booth and Army of the Dead into massive Netflix-sized successes. It again shows that Netflix doesn’t have to crawl through the same “IP for the sake of IP” muck as its theatrical and streaming rivals. It’s nice that Don’t Look Up, which is better than Vice but inferior to The Big Short, is being consumed by copious Netflix subscribers and thus may reach audiences not already onboard with its “comet = climate change” metaphors. In that sense, Don’t Look Up is less impressive than, say, The Unforgivable or Martin Scorsese’s acclaimed but 3.5-hour and action-lite The Irishman. This was (again, no moral judgments) Netflix plucking what, not unlike the Knives Out sequels, might have been an old-school theatrical hit. This wasn’t a film “saved” from a likely commercial box office death. You had DiCaprio in a star-studded comedy from a marquee director with an easy elevator pitch, halfway decent reviews (online discourse aside, 55% rotten and 6.2/10 average critic score on Rotten Tomatoes is mixed) and the promise of cinematic escapism or a good time. Don’t Look Up looked on paper like a winning theatrical package. Don’ t Look Up allegedly cost around $110 million, with $30 million going to DiCaprio and $25 million going to Lawrence (no conventional theatrical release means no backend bonuses). ![]() Just a month later, Leonardo DiCaprio proved that he is the last old-school movie star in town by powering a 2.5-hour, grimdark $150 million western The Revenant to $184 million domestic and $535 million worldwide right alongside The Force Awakens.Īnd just two summers ago, DiCaprio pushed Quintin Tarantino’s Once Upon A Time in Hollywood (a 2.5-hour, action-lite dramedy about late-1960’s Hollywood costarring Brad Pitt and Margot Robbie) to $141 million domestic and $375 million worldwide (without China) on a $90 million budget. That wasn’t great for the $60 million flick, but just six years ago McKay’s The Big Short (a star-studded comedy about the home mortgage crash) earned $133 million on a $28 million budget. Adam McKay’s Vice, starring Christian Bale as Dick Cheney, earned $76 million worldwide. What makes Don’t Look Up different is that I’m pretty certain that, especially in non-Covid circumstances, it would have been a theatrical hit. Kevin Hart was still a draw as recently as The Upside in early 2019, so the success of Fatherhood and True Story is more complicated. ![]()
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